- Beauty is easy to appreciate but difficult to define because it may depend on sense perception and the eye of the beholder.
- Art may represent both beauty and ugliness because ugliness can reveal truth about hunger, injustice and life.
- In Keatsâs statement, âBeauty is truth, truth beauty,â truth and beauty are closely connected at a higher level.
- In âShe Walks in Beauty,â the womanâs outward beauty is associated with inner goodness, peace and innocent love.
- Byron uses the imagery of ânight,â âcloudless climes and starry skies,â dark and bright shades, and tender light to describe the woman.
- In âI Died For Beauty,â the speakers for Beauty and Truth become kinsmen because they regard the two ideals as one.
- Folk music grows from the traditional culture of ordinary people and is not governed by sophisticated or classical musical rules.
- Folk music may combine song, tune, voice, instruments and dance in a natural form of expression.
- Folk songs can be performed individually or in groups, and their words and tones often express the joys, sorrows, love and separation of daily life.
- Bangladesh has varied folk music because regional nature, environment, dialects and the cultures of ethnic minorities influence its forms.
- Baul, Bhatiyali, Bhawaiya, Murshidi and Marfat are examples of folk songs sung individually, whereas Kabigan, Leto, Alkap and Gambhira may be sung in chorus.
- Lalon Shah was an icon of the Baul tradition, a philosopher, thinker and social reformer who preached religious tolerance and rejected social differences based on class, caste and creed.
⧧⧍.ā§Š Type-ā§§ : āϏāĻžāϰāϏāĻāĻā§āώā§āĻĒ āĻ āĻāĻāύāĻžāĻā§āϰāĻŽ
Type-ā§§ : Summary
Unit Twelve examines beauty, truth, art and folk culture. Beauty is pleasant and easy to appreciate, yet difficult to define because it may depend on sense perception and the eye of the beholder. The lesson also shows that ugliness can have an important place in art when it reveals hunger, injustice and other truths about life. Keats connects beauty and truth at a higher level, while Byron presents a woman whose outward beauty reflects inner peace, goodness and innocent love. Dickinson presents Beauty and Truth as closely related ideals through the speakers who become kinsmen in adjoining tombs. Evidence: âBeauty is easy to appreciate but difficult to define.â
The unit then turns to folk music, which grows from the traditional culture of ordinary people rather than sophisticated or classical rules. It may combine song, tune, voice, instruments and dance, and it expresses the joys, sorrows, love and separation of daily life in simple language and local dialects. Bangladesh has many forms of folk music because its regions, natural environments, rivers, dialects and ethnic-minority cultures differ. Baul, Bhatiyali, Bhawaiya, Murshidi and Marfat are generally sung individually, whereas Kabigan, Leto, Alkap and Gambhira may be sung in chorus. Evidence: âFolk music is the combination of song, tune and dance that originate from the traditional culture of ordinary people.â
Lalon Shah represents the philosophical and social dimension of folk culture. He was an icon of the Baul tradition, as well as a philosopher, thinker and social reformer. His teaching supported religious tolerance and rejected differences based on class, caste and creed. His songs are admired for their philosophical and mystical insight, and his life was connected with devotion and asceticism under the guidance of Siraj Sain. Evidence: âHe preached religious tolerance and rejected social differences based on class, caste and creed.â
āĻŦāĻŋāĻļā§āϞā§āώāĻŖā§āϰ āĻāĻžāĻ āĻžāĻŽā§: Theme āĻļāύāĻžāĻā§āϤ āĻāϰāϤ⧠central idea, recurring concern āĻāĻŦāĻ textual evidence āĻā§āĻāĻā§āύāĨ¤ Tone āĻļāύāĻžāĻā§āϤ āĻāϰāϤ⧠speakerâs attitude, diction āĻāĻŦāĻ imagery āĻĻā§āĻā§āύāĨ¤ Tone shift āĻĨāĻžāĻāϞ⧠changed diction, changed imagery āĻāĻŦāĻ changed attitude āĻŽāĻŋāϞāĻŋāϝāĻŧā§ āĻĻā§āĻā§āύāĨ¤ Imagery āĻļāύāĻžāĻā§āϤ āĻāϰāϤ⧠sensory detail, comparison āĻāĻŦāĻ emotional effect āϞāĻā§āώ āĻāϰā§āύāĨ¤ āĻļā§āώ⧠āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻĻāĻžāĻŦāĻŋāϰ āĻĒāĻžāĻļā§ āĻĒāĻžāĻ ā§āϝāĻžāĻāĻļā§āϰ āϏāĻāĻā§āώāĻŋāĻĒā§āϤ āĻāĻĻā§āϧā§āϤāĻŋ āĻĻāĻŋāύāĨ¤
āĻāĻāĻāĻŋ āĻāĻžāϞ⧠summary-āϤ⧠āĻŽā§āϞ āϧāĻžāϰāĻŖāĻžāĻā§āϞ⧠āϧāĻžāϰāĻžāĻŦāĻžāĻšāĻŋāĻāĻāĻžāĻŦā§ āĻĨāĻžāĻāĻŦā§, āĻāĻŋāύā§āϤ⧠āĻ āĻĒā§āϰāϝāĻŧā§āĻāύā§āϝāĻŧ āĻāĻāύāĻž āĻŦāĻž āĻŦā§āϝāĻā§āϤāĻŋāĻāϤ āĻŽāϤāĻžāĻŽāϤ āĻĨāĻžāĻāĻŦā§ āύāĻžāĨ¤ Beauty āĻ āĻāĻļā§ art, truth and inner goodness-āĻāϰ āϏāĻŽā§āĻĒāϰā§āĻ; Folk Music āĻ āĻāĻļā§ origin, characteristics and variety; āĻāĻŦāĻ Lalon Shah āĻ āĻāĻļā§ tolerance and social reformâāĻāĻ āϤāĻŋāύāĻāĻŋ āĻā§āύā§āĻĻā§āϰā§ā§ āĻĻāĻŋāĻ āĻŽāύ⧠āϰāĻžāĻā§āύāĨ¤
| āĻā§āϰāĻŽ | āĻāĻāύāĻž | āĻā§āϰā§āϤā§āĻŦ |
|---|---|---|
| ā§§ | Beauty is introduced as pleasurable but difficult to define. | It establishes the problem of objective beauty and personal perception. âDoes beauty have an independent objective identity?â |
| ⧍ | Ugliness is connected with hunger, injustice and truth about life. | It broadens the function of art beyond pleasant appearance. âCan art ignore what is not beautiful?â |
| ā§Š | Keats connects beauty with truth. | It presents truth as a higher form of beauty and as a condition of art. âBeauty is truth, truth beauty.â |
| ā§Ē | Byron describes a woman whose outer beauty reflects inner goodness. | The poem joins dark and bright imagery with peace, goodness and innocent love. âA heart whose love is innocent!â |
| ā§Ģ | The speakers for Beauty and Truth become kinsmen in adjoining tombs. | The poem suggests that the two ideals are closely connected. âAnd I for truth - the two are one.â |
| ā§Ŧ | Folk music is defined through ordinary peopleâs traditional culture. | Its natural expression is separated from classical and sophisticated rules. âFolk music consists of songs and music of a community.â |
| ā§ | Regional nature, dialects and ethnic-minority cultures shape Bangladeshâs folk music. | These influences explain the variety of folk forms. âIn Bangladesh folk music has great variety.â |
| ā§Ž | Lalon Shah becomes an important Baul figure and social reformer. | His life and teaching connect folk culture with philosophy, tolerance and social equality. âLalon Shah ... was also a philosopher, thinker and social reformer.â |
Question: How does the unit connect beauty with truth?
Answer:
Step ā§§: The unit first shows that beauty is difficult to define and may depend on perception.
Step ⧍: It explains that ugliness may reveal hunger, injustice and truth about life.
Step ā§Š: Keats gives the clearest connection by stating, âBeauty is truth, truth beauty.â
Step ā§Ē: Dickinson develops the same connection when the speakers say, âthe two are one.â
â´ The unit presents beauty and truth as closely connected ideals, especially when art reveals a deeper truth about life.
ā§§. Summarize how the unit presents the relationship between art and life.
⧍. Arrange these ideas in the correct sequence: Lalon Shahâs social teaching; Byronâs idealized woman; the definition of folk music; Keatsâs statement about beauty and truth.
ā§Š. Identify the tone of the description of the woman in âShe Walks in Beautyâ and support your answer with one quotation.
ā§§. Art is not limited to pleasant beauty; it may also represent ugliness in order to reveal truth about life. The poems connect beauty with inner goodness, peace and truth, while folk music expresses the ordinary communityâs joys and sorrows. Lalon Shah further shows how artistic and philosophical expression can support tolerance and reject social differences.
⧍. Correct sequence: Keatsâs statement about beauty and truth â Byronâs idealized woman â the definition of folk music â Lalon Shahâs social teaching.
ā§Š. The tone is admiring and serene. Byron uses soft and peaceful diction, and the womanâs appearance is associated with goodness and innocent love. The quotation âA mind at peace with all belowâ supports this interpretation.
| āĻā§āϰāĻŽ | āĻāĻāύāĻž | āĻĒāĻžāĻ ā§āϝ-āĻĒā§āϰāĻŽāĻžāĻŖ |
|---|---|---|
| ā§§ | Beauty is introduced as pleasurable but difficult to define. | "Beauty is easy to appreciate but difficult to define." |
| ⧍ | Keats connects beauty with truth. | "Beauty is truth, truth beauty." |
| ā§Š | Byron presents outward beauty joined with inner goodness. | "A mind at peace with all below" |
| ā§Ē | Folk music is shown as the natural music of ordinary people. | "traditional culture of ordinary people" |
| ā§Ģ | Regional and cultural influences explain its variety. | "In Bangladesh folk music has great variety." |
| ā§Ŧ | Lalon Shah gives folk culture a philosophical and reformative dimension. | "philosopher, thinker and social reformer" |
⧧⧍.ā§Ģ Type-⧍ : āĻāϰāĻŋāϤā§āϰ āĻŦāĻŋāĻļā§āϞā§āώāĻŖ
Character analysis explains a person or speaker through actions, words, thoughts and the responses of others. In this unit, the woman in Byronâs poem is presented through appearance, imagery and inner qualities, while Lalon Shah is presented through his beliefs, life and social teaching.
Identify the central idea by finding the recurring concern and textual evidence. Identify tone through the speakerâs attitude, diction and imagery. Notice a tone shift through changed diction, changed imagery and changed attitude. For characterization, connect actions, words, thoughts and othersâ responses with short quotations from the text.
āĻā§āύ⧠āϰāĻžāĻā§āύ: Do not describe a character with unsupported personal opinions. Byronâs woman should be analysed through the meeting of dark and bright imagery, peaceful thoughts and innocent love. Lalon Shah should be analysed through his identity as a Baul icon, his rejection of social differences, his religious tolerance and his connection with Siraj Sain.
| Character | Features | Textual evidence |
|---|---|---|
| The woman in âShe Walks in Beautyâ | Outwardly beautiful, graceful, peaceful and morally pure | âA mind at peace with all belowâ âA heart whose love is innocent!â |
| The speaker for Beauty | A person who regards beauty as a central ideal | âI died for beautyâ |
| The speaker for Truth | A person who treats truth and beauty as united ideals | âAnd I for truth - the two are oneâ |
| Lalon Shah | Baul icon, philosopher, thinker and social reformer; tolerant and opposed to social division | âHe preached religious tolerance and rejected social differences based on class, caste and creed.â |
| Siraj Sain | A Muslim fakir who cared for Lalon and guided his devotional and ascetic life | âSiraj Sain, picked him up and took him to his own houseâ |
| Rabbi | A young artist searching for the most beautiful object | âHe was asked by his mentor to draw the most beautiful object in the world.â |
āĻāĻāĻāĻŋ āϏāĻŽāĻžāϧāĻžāύāĻā§āϤ āĻāĻĻāĻžāĻšāϰāĻŖ
Question: How is Lalon Shah characterized as a reformative figure?
Step ā§§: The text introduces him as an important representative of Baul culture: âLalon Shah (1774-1890) is best known as an icon of the Baul tradition in Bengal.â
Step ⧍: His intellectual identity is broadened beyond music because he was âalso a philosopher, thinker and social reformer.â
Step ā§Š: His social principle is shown through his support for tolerance and his rejection of divisions: âHe preached religious tolerance and rejected social differences based on class, caste and creed.â
Step ā§Ē: His ideas are connected with a search for truth: âa search for truth should begin with the body.â
â´ Lalon Shah is characterized as a Baul icon whose philosophical thought and social reform promote religious tolerance, equality and a search for truth.
āĻ
āύā§āĻļā§āϞāύ āĻĒā§āϰāĻļā§āύ āĻ āϏāĻŽāĻžāϧāĻžāύ
ā§§. Question: How does Byron reveal the womanâs character through her appearance?
Answer: Byron presents her appearance through a balanced mixture of darkness and brightness: âAnd all thatâs best of dark and bright / Meet in her aspect and her eyes.â Her outer beauty is not merely visual, because it expresses calm thought and moral purity: âWhere thoughts serenely sweet expressâ and âA heart whose love is innocent!â Thus, her appearance reveals a graceful and inwardly good character.
⧍. Question: What do the two speakers in âI Died For Beautyâ reveal about their relationship?
Answer: The first speaker died for Beauty, and the second died for Truth: âWhen one who died for truth was lain / In an adjoining room.â The second speaker then identifies them as relatives because âthe two are one.â Their conversation and later closeness show that Beauty and Truth are treated as connected ideals.
ā§Š. Question: What role does Siraj Sain play in the account of Lalon Shah?
Answer: Siraj Sain becomes a caring guide at a crucial point in Lalonâs life. He rescued Lalon after he was abandoned and ânursed him back to health.â Later, Lalon âtook up a life of devotion and asceticism under his guidance.â Therefore, Siraj Sain is characterized through compassion and spiritual guidance.
- Use one brief quotation after each important claim.
- Separate outward description from inner character.
- End with a concise judgment based only on textual evidence.
| Character or speaker | Evidence to examine | Possible quality |
|---|---|---|
| The woman in Byronâs poem | âOne shade the more, one ray the lessâ | Balanced and finely composed |
| The speaker for Beauty | âI died for beautyâ | Dedicated to an ideal |
| The speaker for Truth | âAnd I for truth - the two are oneâ | Convinced that truth and beauty are united |
| Rabbi | âa young artist in a remote village of Bangladeshâ | A curious artist beginning a search |
⧧⧍.ā§ Type-ā§Š : āĻŽā§āϞāĻāĻžāĻŦ āĻ āĻŦāĻžāϰā§āϤāĻž (Theme)
The unit presents art as a way of discovering deeper truth rather than merely enjoying pleasant appearances. Its central theme is that beauty becomes more meaningful when it is connected with truth, justice and inner goodness. The discussion of ugliness shows that art may represent difficult realities when they reveal âsome truth about life.â
A major sub-theme is the relationship between outward appearance and inner quality. In Byronâs poem, visual balance leads to a moral impression: the womanâs peaceful mind and innocent love are expressed through her face. Another sub-theme appears in Dickinsonâs poem, where the speakersâ shared ideals overcome the separation created by death. The words âAnd I for truth - the two are oneâ directly support the unity of Beauty and Truth.
The folk-music section develops a cultural theme: ordinary people preserve their feelings and traditions through natural musical expression. Folk music is shaped by community life, local dialects, nature and regional culture. Its variety also reflects social and cultural inclusion, because the text notes that some songs cross religious boundaries and that ethnic-minority cultures have influenced the richness of Bangladeshâs folk music.
Step 1: Identify the central idea that unites the passage or poems.
Step 2: Find a recurring concern, such as truth, inner goodness, community culture or social equality.
Step 3: Select a brief textual quotation as evidence for each claim.
Step 4: Explain how the quotation supports the theme, without adding events or qualities absent from the text.
Step 5: If the question concerns tone or imagery, examine the speakerâs attitude, diction, sensory details and emotional effect.
A strong theme answer does not retell every detail. It states the main idea, adds the most relevant sub-themes, and connects each point with textual evidence. The theme of folk music should be linked with traditional culture, natural expression and regional variety; the theme of Lalon Shah should be linked with religious tolerance and rejection of social differences.
Question: What cultural message does the unit convey through its discussion of folk music?
Answer:
Step 1: The unit defines folk music as an expression that comes from ordinary peopleâs traditional culture: âFolk music is the combination of song, tune and dance that originate from the traditional culture of ordinary people.â
Step 2: It shows that folk music grows naturally rather than following sophisticated musical rules: âuninfluenced by the rules of classical music or modern popular songs.â
Step 3: It connects folk music with the varied environments and dialects of Bangladesh: âfolk music of Bangladesh varies from region to regionâ.
Step 4: It further presents cultural interaction as a source of richness: âThe culture and the lifestyle of the different ethnic minorities ... have also influenced folk music.â
â´ The unit presents folk music as a natural expression of community life whose regional and cultural diversity preserves the richness of Bangladeshâs heritage.
- How does the unit show that art can express realities beyond pleasant beauty?
- What theme about social harmony emerges from the presentation of Lalon Shah?
1. The unit first acknowledges the attraction of beauty but then questions whether art can ignore what is unpleasant. It gives hunger and injustice as examples of ugliness that belong to life. The passage explains that artists connect beauty with truth and justice, so an unpleasant subject may still have artistic value when it represents reality. Evidence: âCan art ignore what is not beautiful?â and âwhat is not beautiful assumes a tolerable proportion as something that represents some truth about life.â â´ Art can move beyond pleasant appearance by presenting difficult realities that reveal truth and justice.
2. Lalon Shahâs social message is based on acceptance and equality. He taught religious tolerance and opposed divisions created by social identity. Evidence: âHe preached religious tolerance and rejected social differences based on class, caste and creed.â His life also shows an association with Siraj Sain, who helped him when he was abandoned by his companions. â´ The unit presents social harmony as a rejection of religious and social discrimination and as an acceptance of human beings across boundaries.
⧧⧍.ā§Ž Type-ā§Š āĻ āύā§āĻļā§āϞāύ āĻ āĻāϤā§āϤāϰ
⧧⧍.⧝ Type-ā§Ē : āĻāĻžāώāĻž, āĻ āϞāĻāĻāĻžāϰ āĻ āϏā§āϰ
Identify a simile through an explicit comparison such as âlikeâ or âasâ; identify a metaphor through direct identification; identify personification when an abstract idea receives human qualities; and identify imagery through sensory details and their emotional effect. To analyse tone, connect the speakerâs attitude with diction and imagery, then support every claim with a brief textual quotation.
Language and effect: In âShe Walks in Beauty,â Byron uses a simile to present beauty as balanced, calm and mysterious: âShe walks in beauty, like the nightâ. The contrast between âdark and brightâ creates harmony rather than opposition, while âtender lightâ gives the woman a gentle and idealized appearance. In âI Died For Beauty,â Beauty and Truth are personified as speakers who can speak, die and become relatives. The statement âWe brethren areâ turns two abstract ideals into humanly connected figures.
| Figure or device | Example | Effect |
|---|---|---|
| Simile | âShe walks in beauty, like the nightâ | Combines beauty with calmness, mystery and a star-filled natural setting. |
| Metaphor | âBeauty is truth, truth beautyâ | Directly joins beauty and truth as deeply related ideals. |
| Personification | âWe brethren areâ | Gives Beauty and Truth human identity and suggests spiritual kinship. |
| Imagery | âcloudless climes and starry skiesâ | Creates a visual picture of purity, openness and quiet radiance. |
Tone and viewpoint: Byronâs tone is admiring, serene and idealizing because his diction presents the woman through âsoft,â âcalmâ and âgoodness.â His viewpoint moves from outward features to inner character, ending with âA heart whose love is innocent!â Dickinsonâs tone is ultimately comforting because the speakers for Beauty and Truth communicate after death and recognize their unity. Her first-person viewpoint makes the connection intimate: âAnd I for truth - the two are one.â
A solved example: Question: How does Byronâs imagery establish the tone of âShe Walks in Beautyâ? Answer: Step ā§§: He introduces the woman through the visual image of âcloudless climes and starry skies.â Step ⧍: He balances âdark and brightâ shades instead of presenting harsh contrast. Step ā§Š: He connects her appearance with âA mind at peaceâ and âA heart whose love is innocent!â â´ The imagery creates a peaceful, admiring and idealized tone.
- Practice: Explain how the phrase âBeauty is truth, truth beautyâ functions as a metaphor and supports the poemâs viewpoint.
- Answer: It directly identifies beauty with truth, suggesting that truth becomes beautiful at a higher level; therefore, the viewpoint treats beauty and truth as inseparable ideals.
To identify a theme, find the central idea, recurring concern and textual evidence. To identify tone, examine the speakerâs attitude, diction and imagery. To identify a simile, look for an explicit comparison using âlikeâ or âasâ. To identify a metaphor, find a direct identification between two ideas. To identify personification, check whether an abstract idea receives human qualities. To explain imagery, connect sensory detail with its emotional effect. Support each claim with a short quotation from the text.
Byron presents beauty through balance, softness and inner goodness. Dickinson gives Beauty and Truth human voices so that their relationship becomes intimate and memorable. The strongest answers identify the device, quote the text and explain its effect.
Step ⧍: âOne shade the moreâ and âone ray the lessâ suggest that even a small change could disturb the womanâs beauty.
Step ā§Š: The next line confirms this balance through âthe nameless graceâ.
â´ Byron presents beauty as a carefully balanced harmony rather than as a harsh or excessive brightness. âOne shade the more, one ray the lessâ
Sol: The line contrasts the womanâs âtender lightâ with âgaudy dayâ. The word âdeniesâ gives heaven an action usually associated with a human subject, so the expression also contains personifying force. The contrast makes her light appear gentle and refined instead of loud or showy. The image supports Byronâs idealized presentation of the woman.
Ans. The line uses contrast and personifying expression to create a gentle, refined and idealized image. âWhich heaven to gaudy day denies.â
Sol: The adjective âserenelyâ suggests calmness and peace. The word âsweetâ gives the thoughts a gentle and attractive quality. The verb âexpressâ shows that the womanâs face reveals what exists within her mind. The following phrase identifies that inner quality as purity: âHow pure, how dear their dwelling-place.â
Ans. Byronâs diction shows that the womanâs outward appearance expresses a calm, pure and attractive inner mind. âWhere thoughts serenely sweet express.â
Sol: Beauty and Truth are presented through speakers who can die and speak. One speaker says, âI died for beautyâ, while the other says, âI for truthâ. Their conversation makes the abstract ideals appear as human figures. The statement âWe brethren areâ turns their connection into a relationship between brothers.
Ans. Dickinson personifies Beauty and Truth as speaking human figures and presents them as spiritually related ideals. âWe brethren are.â
Sol: âCloudlessâ suggests a clear and open sky. âStarry skiesâ creates a visual image of quiet brightness and natural beauty. The comparison places the woman within a peaceful night scene rather than a noisy or ordinary setting. This imagery makes the speakerâs attitude admiring and idealizing.
Ans. The imagery creates a serene, admiring and idealized tone by associating the woman with a clear, star-filled night. âOf cloudless climes and starry skies.â
ā§§. Theme āĻļāύāĻžāĻā§āϤ āĻāϰāϤ⧠central idea, recurring concern āĻāĻŦāĻ textual evidence āĻā§āĻāĻā§āύāĨ¤
⧍. Tone āύāĻŋāϰā§āĻŖāϝāĻŧā§ speakerâs attitude, diction āĻāĻŦāĻ imagery āĻĻā§āĻā§āύāĨ¤
ā§Š. Characterization āĻŦā§āĻāϤ⧠actions, words, thoughts āĻāĻŦāĻ othersâ responses āϞāĻā§āώ āĻāϰā§āύāĨ¤
ā§Ē. Imagery āĻŦāĻŋāĻļā§āϞā§āώāĻŖā§ sensory detail, comparison āĻāĻŦāĻ emotional effect āĻāĻŋāĻšā§āύāĻŋāϤ āĻāϰā§āύāĨ¤
ā§Ģ. āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻĻāĻžāĻŦāĻŋāϰ āĻļā§āώ⧠āĻĒāĻžāĻ ā§āϝāĻžāĻāĻļā§āϰ āϏāĻāĻā§āώāĻŋāĻĒā§āϤ āĻāĻĻā§āϧā§āϤāĻŋ āĻĻāĻŋāύāĨ¤
āĻāĻ āĻ āĻāĻļā§ āϏā§āύā§āĻĻāϰā§āϝ āĻ āϏāϤā§āϝā§āϰ āϏāĻŽā§āĻĒāϰā§āĻ, āĻŦāĻžāϝāĻŧāϰāύā§āϰ āĻāĻŋāϤā§āϰāĻāϞā§āĻĒ, āϞā§āĻāϏāĻāĻā§āϤā§āϰ āϏā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻ āĻŦā§āĻļāĻŋāώā§āĻā§āϝ āĻāĻŦāĻ āϞāĻžāϞāύ āĻļāĻžāĻšā§āϰ āĻŽāĻžāύāĻŦāϤāĻžāĻŦāĻžāĻĻā§ āĻāĻžāĻŦāύāĻžâāĻāĻ āĻāĻžāϰāĻāĻŋ āĻĻāĻŋāĻ āĻāϞāĻžāĻĻāĻž āĻāϰ⧠āĻŦāĻŋāĻļā§āϞā§āώāĻŖ āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤ āĻāϤā§āϤāϰ āϞā§āĻāĻžāϰ āϏāĻŽāϝāĻŧ āĻŦāĻā§āϤāĻŦā§āϝ, āĻĒāĻžāĻ ā§āϝāĻĒā§āϰāĻŽāĻžāĻŖ āĻāĻŦāĻ āĻŦā§āϝāĻžāĻā§āϝāĻž āϧāĻžāϰāĻžāĻŦāĻžāĻšāĻŋāĻāĻāĻžāĻŦā§ āϏāĻžāĻāĻžāϤ⧠āĻšāĻŦā§āĨ¤
āĻāϤā§āϤāϰ:
āϧāĻžāĻĒ ā§§: āĻĒāĻžāĻ ā§āϝāĻžāĻāĻļā§ āϏā§āύā§āĻĻāϰā§āϝāĻā§ āĻāĻĒāĻā§āĻā§āϝ āĻšāϞā§āĻ āϏāĻāĻā§āĻāĻžāϝāĻŧāĻŋāϤ āĻāϰāĻž āĻāĻ āĻŋāύ āĻŦāϞāĻž āĻšāϝāĻŧā§āĻā§; āϤāĻžāĻ āĻļāĻŋāϞā§āĻĒā§āϰ āĻŽā§āϞā§āϝ āĻļā§āϧ⧠āĻŦāĻžāĻšā§āϝāĻŋāĻ āĻāύāύā§āĻĻā§ āϏā§āĻŽāĻžāĻŦāĻĻā§āϧ āύāϝāĻŧāĨ¤ âBeauty is easy to appreciate but difficult to define.â
āϧāĻžāĻĒ ā§¨: āĻāĻĻāϰā§āϝāϤāĻž āĻā§āώā§āϧāĻž āĻ āĻ āĻŦāĻŋāĻāĻžāϰā§āϰ āĻŽāϤ⧠āĻāĻ āĻŋāύ āĻŦāĻžāϏā§āϤāĻŦāϤāĻžāĻā§ āĻĻā§āĻļā§āϝāĻŽāĻžāύ āĻāϰā§āĨ¤ âthere is widespread hunger and injustice in a society.â
āϧāĻžāĻĒ ā§Š: āĻļāĻŋāϞā§āĻĒ āϏā§āύā§āĻĻāϰā§āϝā§āϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āϏā§āύā§āĻĻāϰā§āϝāĻšā§āύ āĻŦāĻŋāώāϝāĻŧāĻ āĻāĻĒāϏā§āĻĨāĻžāĻĒāύ āĻāϰāϤ⧠āĻĒāĻžāϰā§, āĻāĻžāϰāĻŖ āϤāĻž āĻā§āĻŦāύā§āϰ āϏāϤā§āϝ āĻŦāĻšāύ āĻāϰā§āĨ¤ âCan art ignore what is not beautiful?â
â´ āĻāϤā§āϤāϰ: āĻļāĻŋāϞā§āĻĒā§ āĻāĻĻāϰā§āϝāϤāĻž āĻā§āĻŦāύā§āϰ āĻā§āώā§āϧāĻž, āĻ āĻŦāĻŋāĻāĻžāϰ āĻ āĻ āύā§āϝāĻžāύā§āϝ āϏāϤā§āϝ āĻĒā§āϰāĻāĻžāĻļā§āϰ āĻŽāĻžāϧā§āϝāĻŽ; āϤāĻžāĻ āĻļāĻŋāϞā§āĻĒ āĻā§āĻŦāϞ āĻŽāύā§āϰāĻŽ āĻĻā§āĻļā§āϝā§āϰ āĻ āύā§āĻāϰāĻŖ āύāϝāĻŧāĨ¤
āĻāϤā§āϤāϰ:
āϧāĻžāĻĒ ā§§: āĻāĻŦāĻŋāϤāĻžāϰ āĻļā§āϰā§āϤ⧠āύāĻžāϰā§āĻāĻŋāϰ āϏā§āύā§āĻĻāϰā§āϝāĻā§ āϰāĻžāϤ āĻ āϤāĻžāϰāĻžāĻāϰāĻž āĻāĻāĻžāĻļā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤ âShe walks in beauty, like the nightâ.
āϧāĻžāĻĒ ā§¨: āĻ āύā§āϧāĻāĻžāϰ āĻ āĻāϞā§āϰ āϏāĻŽāύā§āĻŦāϝāĻŧ āϤāĻžāĻāϰ āϏā§āύā§āĻĻāϰā§āϝāĻā§ āĻā§āĻŽāϞ āĻ āĻāĻžāϰāϏāĻžāĻŽā§āϝāĻĒā§āϰā§āĻŖ āĻāϰ⧠āϤā§āϞā§āĻā§āĨ¤ âall thatâs best of dark and bright / Meet in her aspect and her eyesâ.
āϧāĻžāĻĒ ā§Š: āϤāĻžāĻāϰ āĻŽā§āĻāĻŽāĻŖā§āĻĄāϞā§āϰ āϏā§āύā§āĻĻāϰā§āϝ āĻ āύā§āϤāϰā§āϰ āĻļāĻžāύā§āϤāĻŋ, āĻĒāĻŦāĻŋāϤā§āϰāϤāĻž āĻ āύāĻŋāώā§āĻĒāĻžāĻĒ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāϰ āĻŦāĻšāĻŋāĻāĻĒā§āϰāĻāĻžāĻļāĨ¤ âA mind at peace with all below, / A heart whose love is innocent!â
â´ āĻāϤā§āϤāϰ: āĻāĻŦāĻŋāϤāĻžāϝāĻŧ āĻŦāĻžāĻšā§āϝāĻŋāĻ āϏā§āύā§āĻĻāϰā§āϝāĻā§ āĻ āύā§āϤāϰā§āϰ āĻļāĻžāύā§āϤāĻŋ, āĻĒāĻŦāĻŋāϤā§āϰāϤāĻž, āĻŽāĻā§āĻāϞ āĻ āύāĻŋāώā§āĻĒāĻžāĻĒ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāϰ āĻĻā§āĻļā§āϝāĻŽāĻžāύ āĻĒā§āϰāĻāĻžāĻļ āĻšāĻŋāϏā§āĻŦā§ āĻāĻĒāϏā§āĻĨāĻžāĻĒāύ āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤
āĻāϤā§āϤāϰ:
āϧāĻžāĻĒ ā§§: Beauty āĻ Truth-āĻā§ āĻāĻŽāύ āĻŦāĻā§āϤāĻž āĻšāĻŋāϏā§āĻŦā§ āĻĻā§āĻāĻžāύ⧠āĻšāϝāĻŧā§āĻā§ āϝāĻžāϰāĻž āĻŽā§āϤā§āϝā§āϰ āĻĒāϰāĻ āĻāĻĨāĻž āĻŦāϞāϤ⧠āĻĒāĻžāϰā§āĨ¤ âI died for beautyâ āĻāĻŦāĻ âone who died for truthâ.
āϧāĻžāĻĒ ā§¨: āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āϏāĻŽāĻžāϧāĻŋāϤ⧠āĻĨāĻžāĻāĻž āĻĻā§āĻ āĻŦāĻā§āϤāĻžāϰ āĻĒā§āϰāĻļā§āύā§āϤā§āϤāϰ āϤāĻžāĻĻā§āϰ āϧāĻžāϰāĻŖāĻžāĻāϤ āϏāĻŽā§āĻĒāϰā§āĻāĻā§ āĻŦā§āϝāĻā§āϤāĻŋāĻāϤ āϏāĻŽā§āĻĒāϰā§āĻā§āϰ āĻŽāϤ⧠āĻāϰ⧠āϤā§āϞā§āĨ¤ âHe questioned softly why I failed?â
āϧāĻžāĻĒ ā§Š: Truth-āĻāϰ āĻŦāĻā§āϤāĻž āϤāĻžāĻāĻĻā§āϰ āĻāĻā§āϝāĻā§ āĻāϤā§āĻŽā§āϝāĻŧāϤāĻžāϰ āĻāĻžāώāĻžāϝāĻŧ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤ âWe brethren areâ.
āϧāĻžāĻĒ ā§Ē: āĻĒāϰāϏā§āĻĒāϰāĻā§ kinsmen āĻŦāϞāĻž Beauty āĻ Truth-āĻāϰ āĻāĻā§āϰ āĻŽāĻŋāϞāĻā§ āĻāϰāĻ āϏā§āĻĒāώā§āĻ āĻāϰā§āĨ¤ âAnd so, as kinsmen met a-nightâ.
â´ āĻāϤā§āϤāϰ: āĻāĻŦāĻŋāϤāĻžāϝāĻŧ personification āĻ āĻāĻĨā§āĻĒāĻāĻĨāύā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ Beauty āĻ Truth-āĻā§ āĻā§āĻŦāύā§āϤ āĻŽāĻžāύāĻŦāĻŋāĻ āĻŦāĻā§āϤāĻžāϝāĻŧ āϰā§āĻĒ āĻĻā§āĻāϝāĻŧāĻž āĻšāϝāĻŧā§āĻā§; āĻĢāϞ⧠āĻĻā§āĻ āĻŦāĻŋāĻŽā§āϰā§āϤ āĻāĻĻāϰā§āĻļā§āϰ āĻāĻā§āϝ āϏā§āĻĒāώā§āĻ āĻšāϝāĻŧā§āĻā§āĨ¤
āĻāϤā§āϤāϰ:
āϧāĻžāĻĒ ā§§: āϞā§āĻāϏāĻāĻā§āϤ āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻžāύā§āώā§āϰ āĻāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§ āϏāĻāϏā§āĻā§āϤāĻŋ āĻĨā§āĻā§ āϏā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻāĻāĻžāĻŦā§ āϏā§āώā§āĻāĻŋ āĻšāϝāĻŧāĨ¤ âtraditional culture of ordinary peopleâ.
āϧāĻžāĻĒ ā§¨: āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļā§āϰ āĻ āĻā§āĻāϞāĻā§āĻĻā§ āĻĒā§āϰāĻžāĻā§āϤāĻŋāĻ āĻĒāϰāĻŋāĻŦā§āĻļ āĻ āĻŽāĻžāύā§āώā§āϰ āĻŦā§āϝāĻŦāĻšā§āϤ āĻāĻĒāĻāĻžāώāĻž āĻĒāϰāĻŋāĻŦāϰā§āϤāĻŋāϤ āĻšāϝāĻŧ; āϤāĻžāĻ āϞā§āĻāϏāĻāĻā§āϤā§āϰ āϰā§āĻĒāĻ āĻŦāĻĻāϞ⧠āϝāĻžāϝāĻŧāĨ¤ âreflecting changes in the natural environment and the dialects people use.â
āϧāĻžāĻĒ ā§Š: āύāĻĻā§āĻŽāĻžāϤā§āĻ āĻĒāϰāĻŋāĻŦā§āĻļāĻ āĻŦāĻŋāĻļā§āώ āĻā§āĻŽāĻŋāĻāĻž āϰāĻžāĻā§; āĻ āĻāĻžāϰāĻŖā§ āĻāĻžāĻāĻŋāϝāĻŧāĻžāϞāĻŋ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āĻŖ āĻāĻāĻāĻŋ āϧāĻžāϰāĻžāĨ¤ âSince the country is basically riverine, the Bhatiyali forms an important genre of folk music.â
āϧāĻžāĻĒ ā§Ē: āĻāĻžāĻāĻŽāĻž, āĻŽāĻŖāĻŋāĻĒā§āϰāĻŋ, āϏāĻžāĻāĻāϤāĻžāϞ āĻ āϤā§āϰāĻŋāĻĒā§āϰāĻžāĻĻā§āϰ āĻā§āĻŦāύāϝāĻžāĻĒāύ āϞā§āĻāϏāĻāĻā§āϤāĻā§ āĻāϰāĻ āϏāĻŽā§āĻĻā§āϧ āĻāϰā§āĻā§āĨ¤ âThe culture and the lifestyle of the different ethnic minorities ... have also influenced folk music.â
â´ āĻāϤā§āϤāϰ: āĻ āĻā§āĻāϞ, āĻĒā§āϰāĻā§āϤāĻŋ, āύāĻĻā§, āĻāĻĒāĻāĻžāώāĻž āĻāĻŦāĻ āĻŦāĻŋāĻāĻŋāύā§āύ āύā§āĻā§āώā§āĻ ā§āϰ āϏāĻāϏā§āĻā§āϤāĻŋāϰ āĻĒāĻžāϰāϏā§āĻĒāϰāĻŋāĻ āĻĒā§āϰāĻāĻžāĻŦ āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļā§āϰ āϞā§āĻāϏāĻāĻā§āϤā§āϰ āĻŦā§āĻāĻŋāϤā§āϰā§āϝ āϏā§āώā§āĻāĻŋ āĻāϰā§āĻā§āĨ¤
āĻāϤā§āϤāϰ:
āϧāĻžāĻĒ ā§§: āϞāĻžāϞāύ āĻļāĻžāĻš āĻļā§āϧ⧠āĻŦāĻžāĻāϞ āĻāϤāĻŋāĻšā§āϝā§āϰ āĻļāĻŋāϞā§āĻĒā§ āĻāĻŋāϞā§āύ āύāĻž; āϤāĻŋāύāĻŋ āĻĻāĻžāϰā§āĻļāύāĻŋāĻ, āĻāĻŋāύā§āϤāĻžāĻŦāĻŋāĻĻ āĻ āϏāĻŽāĻžāĻāϏāĻāϏā§āĻāĻžāϰāĻāĻ āĻāĻŋāϞā§āύāĨ¤ âhe was also a philosopher, thinker and social reformer.â
āϧāĻžāĻĒ ā§¨: āϤāĻžāĻāϰ āĻļāĻŋāĻā§āώāĻžāϰ āĻā§āύā§āĻĻā§āϰ⧠āĻāĻŋāϞ āϧāϰā§āĻŽā§āϝāĻŧ āϏāĻšāύāĻļā§āϞāϤāĻž āĻāĻŦāĻ āϏāĻžāĻŽāĻžāĻāĻŋāĻ āĻŦāĻŋāĻā§āĻĻ āĻĒā§āϰāϤā§āϝāĻžāĻā§āϝāĻžāύāĨ¤ âHe preached religious tolerance and rejected social differences based on class, caste and creed.â
āϧāĻžāĻĒ ā§Š: āϤāĻžāĻāϰ āĻāĻžāύ āĻāĻā§āϰ āĻĻāĻžāϰā§āĻļāύāĻŋāĻ āĻ āĻŽāϰāĻŽāĻŋ āĻāĻžāĻŦāύāĻžāϰ āĻāύā§āϝ āĻĒā§āϰāĻļāĻāϏāĻŋāϤāĨ¤ âLalonâs songs are admired for the profound philosophical and mystical insights they offerâ.
āϧāĻžāĻĒ ā§Ē: āϏāĻŋāϰāĻžāĻ āϏāĻžāĻāĻāϝāĻŧā§āϰ āϤāϤā§āϤā§āĻŦāĻžāĻŦāϧāĻžāύ⧠āϤāĻžāĻāϰ āĻāĻā§āϤāĻŋ āĻ āϤā§āϝāĻžāĻā§āϰ āĻā§āĻŦāύ āϞā§āĻāϏāĻāϏā§āĻā§āϤāĻŋāϰ āĻāϧā§āϝāĻžāϤā§āĻŽāĻŋāĻ āĻĻāĻŋāĻāĻā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤ âtook up a life of devotion and asceticism under his guidanceâ.
â´ āĻāϤā§āϤāϰ: āϞāĻžāϞāύ āĻļāĻžāĻšā§āϰ āĻā§āĻŦāύ āĻ āĻļāĻŋāĻā§āώāĻž āĻĻā§āĻāĻžāϝāĻŧ āϝ⧠āϞā§āĻāϏāĻāϏā§āĻā§āϤāĻŋ āĻŦāĻŋāύā§āĻĻāύā§āϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āϧāϰā§āĻŽā§āϝāĻŧ āϏāĻšāύāĻļā§āϞāϤāĻž, āϏāĻžāĻŽāĻžāĻāĻŋāĻ āϏāĻŽāϤāĻž, āĻāϧā§āϝāĻžāϤā§āĻŽāĻŋāĻ āĻ āύā§āϏāύā§āϧāĻžāύ āĻ āĻĻāĻžāϰā§āĻļāύāĻŋāĻ āĻāĻŋāύā§āϤāĻžāϰ āĻŦāĻžāĻšāĻ āĻšāϤ⧠āĻĒāĻžāϰā§āĨ¤